In this jazz guitar lesson we’re going to check out Secondary Dominant chords, more a theory lesson than a practical one, but it’s an essential bit of theory for those getting into jazz and the start of harmonic analysis. All written out on the web site and hit the forum if you have any questions! Find the related course notes on the following link: www.justinguitar.comTaught by Justin Sandercoe. Full support at the justinguitar web site where you will find hundreds of lessons on a wide range of subjects, and all the scales and chords that you will ever need! There is a great forum too to get help, no matter what the problem. And it is all totally free, no bull. No sample lessons, no memberships, no free ebook. Just tons of great lessons To get help with this lesson (and for further info and tabs), find the Lesson ID in the video title (like ST-667 or whatever) and then look it up on the Lesson Index page of justinguitar.com www.justinguitar.com Have fun .
You may also like
Autumn Leaves jazz guitar improvisation (3) with scale explanations
4.65K Views22 Comments0 Likes
Autumn Leaves improvisation 3 with scale explanations, using my old Gibson 345, which I have never done before on youtube. Hope you like it..... TABs and score available on www.play-jazz.de
Jazz Guitar: Turn your chords into chord melody!
3.50K Views16 Comments0 Likes
Ted Greene said : harmonize your melodies, melodize your chords! (I'm paraphrasing here) Ever wondered how to play nice chord melody arrangements like the jazz guitar legends? Are you lookin...
Honeysuckle Rose; jazz guitar solo by Aleksandar Djordjevic
2.43K Views11 Comments0 Likes
This is very expressive peace and there are many great versions.I tried little retro aproach with bluesy feel. I love playing this tune and I hope 7 min is not too long for listening conside...
John Abercrombie – Jazz Guitar Improvisation 1
5.35K Views24 Comments0 Likes
A guitar lesson from a master of jazz improvisation John Abercrombie... part 1 Video Rating: 4 / 5
its not a major chord it is a dominant chord b7
follow that up with tri tone sub’s and that will open the doors wider
So is G7 the 5 chord in the key of C? :p (obvious joke)
i agree
Absolutely amazing lesson!
Great lesson bro! As usual…
Why should the secondary dominant be a major chord? I mean from Dmin (the ii of the C scale), the v’th in a minor scale or aeolian mode is a minor chord as well … What am I missing?
excellent
Thanks….that was good.
which amp. u r using….the tone sounds fantastic
Are you sure? Bm7b5 has the natural F as fifth because of the lowered note…isn’t this applied in this case or what?
Lol i have known this stuff for years just never knew they were called secondary dominants
Justin. You really ought to think about subtitles on vids like this as I have no idea what you are talking about!! ; )
I have not seen these in Justin’s ON Line shop: it’s not good all this forgetting, I was once told but I don’t remember why that is though. It’s a funky sounding guitar. Might be something to do with that F# at 7:39 : )
I want to tell you you’re the best instuctor I’ve seen. I will contribute to your site every month for now on… I’d feel like a thief if I didn’t… Thanks again you’re a great guy and instructor Justin……..Bob Lewis
lol. thats what u think now. wait till u mature musically.
I have suddenly developed an interest in jazz…your videos are great!
Justin you rock Man! And Steve Vai and Brain May agree!
I really wonder what the 3 people disliking this video are thinking. Misclicks perhaps?
Regarding IVb7 going to viib7b5. Happens in contemporary Gospel worship or ballad type music in extended tags or turnarounds. Sounds OK once you keep the harmonic progression going. It smooths out. Love your subscription.
Hi Justin, With so many lessons you gave, I actually confused where to start now
I have been self learning since 1994 but havent really seriously got anywhere.
Justin, how did you learn your vast theory knowledge? Did you learn it at college or anything? I’m trying to learn bits but it’s really daunting! D:
GROW A BEARD!
One thing you can try instead of the F#7 to Bdim is to treat the chord as a G7 (or even G9) without the root and then just use D7 as the corresponding dominant – maybe something like: Cmaj7 – D7 – Bdim – B7 – Em…